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essays & reporting
Nylon — The True Story Behind Regina Spektor's Lost Debut Album, 11:11
Bitch Media — Trial By Firing: Are Unions the Cure for Post-Traumatic Press Disorder? (Print & online)
Nylon — Notice Me!: How Fandom Endangers Female Musicians
The New York Times — Why is there a coffee shop in so many stores?
Rolling Stone — How Mitski Became the Cowboy
Vulture — 'Broad City' Encouraged Women to Be Their Grossest Selves
Nylon — How Art Inspired By Sexual Assault Can Help Survivors Heal
Grubstreet — The Sound of Live Music Returns to New York's Bars and Restaurants
Bustle — Touring Musicians Are Losing More than Just Money in the Coronavirus Pandemic
Allure — Why Are People Still Catcalling During a Pandemic?
Nylon — Why Poetry Thrives in Times of Conflict
Allure — Disordered Eating is Still Missing from the Conversation about Eating Disorders
MTV News — How Regina Spektor's Broadway Residency Redefines the Concert Experience
Vinyl Me, Please — Girl, Put Your Records On: The Perfect Work-From-Home Soundtrack
Rolling Stone — St. Vincent's Alien Rebirth
Vice — Women Secretly Run the Town of 'Letterkenny'
Slate — The #MeToo Moment Everyone Missed in 'Bojack Horseman'
MTV News — The Master of Modern Love
Paste — Why Bright Eyes' 'I'm Wide Awake, It's Morning' Still Matters
interviews & profiles
Observer — Exclusive Interview: Anna Marie Tendler Ruminates on Loss in ‘Rooms in the First House’
Vulture — Colin Mochrie Reflects on Over 30 Years of Whose Line Is It Anyway?
Grammys — Matt Berninger's Optimistic Malaise
The Creative Independent — Regina Spektor interview
No Depression — Visiting Other Selves: Lucy Dacus' Home Video reflects who she used to be
MTV News — The Glam Grief of Sad13's 'Haunted Painting'
Teen Vogue — Maya Boyce on College, Charity, and Keeping Cameron's Legacy Alive
UPROXX — Vinyl And Velvet: A Look Inside Pom Pom Squad’s High School Americana
Grammys — Bright Eyes Usher in a New Apocalypse
Vinyl Me, Please — Waxahatchee's Clear-Headed 'St. Cloud'
Nylon — Alia Shawkat Can't Wait to Lose Control
Polygon — How Love Is Blind creates ‘television magic’ with pitch-perfect music choices
Grammys — How Japanese Breakfast Found Joy on Her New Album 'Jubilee'
The Creative Independent — Writer Jessica Hopper on continually redefining what you do
Vinyl Me, Please — Frances Quinlan Wants Witnesses
Teen Vogue — Camp Cope on Supporting Other Woman in Music and Calling Out Festival Lineups
Vinyl Me, Please — Vagabon's Many Faces
Nylon — Mal Blum Explores Self-Destructive Habits on 'Pity Boy'
Vinyl Me, Please — On 'Young Enough,' Charly Bliss Spills Out
Vinyl Me, Please — The Full-Body Experience of Nilufer Yanya's 'Miss Universe'
New York Family — Amber Tamblyn: Weaponized Woman (Cover story)
Vinyl Me, Please — Sylvan Esso's Immersed in 'Free Love'
New York Family — NBC Anchor Lester Holt & His WNBC Anchor Son, Stefan Holt, Talk Family, Empathy & Media (Cover story)
MTV News — Okkervil River's Will Sheff Dances with the Grim Reaper
misc.
Pitchfork — Anaïs Mitchell (album review)
Vox — Why is it so hard to finish a notebook?
The Creative Independent — How to enter the poetry community
Rolling Stone — Song You Need to Know: Camp Cope, 'The Face of God'
Paste — Sufjan Stevens' 'The Ascension' Waxes Existential
uDiscoverMusic — Best Yusuf/Cat Stevens Songs: 20 Peaceful Pop Hits
SPIN — The 30 Best Albums of 2021 (St. Vincent and Japanese Breakfast blurbs)
Nylon — Mitski's albums ranked, from 'Lush' to 'Laurel Hell'
musician bios
Pom Pom Squad, Kississippi, Grace Ludmila, Fern Mayo, Nefesh Mountain & Hush Club.